
- Softly As In A Morning Sunrise
- Don't Explain
- There Is No Greater Love
- Skylark
- Green Chimneys
- Straight No Chaser
- Time Was
- When Lights Are Low
- Morning Blues
- Time Was (Take 2)
There are a few remarkable recreations on tenor-saxophonist Benny Golson's tribute to Miles Davis, particularly "'Round Midnight" and parts of "So What" and "Bye Bye Blackbird." Trumpeter Eddie Henderson (especially when muted) comes very close to duplicating not only the sound but the spirit of Davis while Golson sometimes discards his own strong musical personality to do close impressions of John Coltrane. Trombonist Curtis Fuller, pianist Mulgrew Miller, bassist Ray Drummond and drummer Tony Reedus are also in fine form on a program that not only has five songs associated with 1950s Miles Davis but three Golson originals including "One Day, Forever (I Remember Miles)" which (although worthy) is not in the same league as his earlier classic "I Remember Clifford." This heartfelt tribute album has enough unique moments to make it easily recommended.
~ Scott Yanow, All Music Guide
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In 1989, 34 years after the formation of the somewhat unique Chico Hamilton Quintet, the original members (with one exception) reunited for a tour and this Soul Note recording. In addition to drummer Hamilton, Buddy Collette (heard on flute, clarinet and alto), cellist Fred Katz, bassist Carson Smith, and guitarist John Pisano (Jim Hall's first replacement) complete the group. This studio session only includes one standard remake of "I Want to Be Happy" and is comprised of then-recent originals by band members, with two selections ("Brushing with B" and "Conversation") being freely improvised duets by Collette and Hamilton. So, rather than merely being an exercise in nostalgia, this excellent set features the Quintet members as they sounded in the late '80s, creating new music for their classic sound.
~ Scott Yanow, All Music Guide
At age 25, Freddie Hubbard made inroads into modern jazz most trumpeters could not imagine, much less come through with. As a soloist, one of Hubbard's crowning achievements in his early period was this recording on which he teamed with Wayne Shorter, marginally as a performer but prominent in the role of arranger/conductor for his first time ever. Utilizing a septet, 16-piece big band, and orchestra plus stings to play concise, tight tunes, Shorter provides the backdrop to employ Hubbard's bold toned trumpet and all of its devices in a full display of his powerful melodic talents. Yeoman Reggie Workman plays bass on all selections, with drummer Louis Hayes in the seven-piece combo, and great work from Philly Joe Jones in the larger bands. Interestingly enough, the three tracks with the smaller ensemble are the most interesting, due to the presence of Eric Dolphy, Curtis Fuller, Cedar Walton, and Shorter on the front line. "Clarence's Place" is a post-bop jewel with spiky brass accents and Dolphy's ribald and outre alto sax solo contrasting Shorter's relatively reserved tenor, "Dedicated to You" is a wisp of a tune, while "Body & Soul," an atypical choice for the opening selection, is a straight read of the classic ballad with a chart that sounds larger than the small horn section, and a wavering flute via Dolphy. The big band does an unusual soul-jazz treatment of the Brazilian number "Manha de Carnaval" flavored by Robert Northern's French horn, while "Aries" is a hard bop show stopper with two-note accents buoying Hubbard's great lyrical lines, and goes further into hard bop with "Thermo" as the horns demand attention with the trumpeter as an afterthought. The string section, ten pieces strong, joins the big band on the film noir type Duke Ellington piece "Chocolate Shake," the stock "I Got It Bad," and "Skylark," with its soft clarion intro bubbling underneath with the violins, violas, and cellos. The manner in which this recording is programmed is thoughtful in that it lends to the diversity of the project, but is seamless from track to track. Dan Morgenstern's hefty liner notes also explain the concept behind this ambitious project, one which did not compare to any of Hubbard's other recordings in his career. Therefore it stands alone as one of the most unique productions in his substantive discography, and a quite credible initial go-round for Shorter as an orchestrator. Michael G. Nastos, All Music Guide
~ Michael G. Nastos, All Music Guide
Body And Soul
Carnival (Manha De Carnaval)
Chocolate Shake
Dedicated To You
Clarence's Place
Aries
Skylark
I Got It Bad (And That Ain't Good)
Thermo
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